Minggu, 13 Desember 2015

The Naked Jungle: Eleanor Parker and Charlton Heston Find Love – and a Lot of Ants

Guest blogger Rick 29 writes:
The producing-directing team of George Pal and Byron Haskinfollowed up their classic War of the Worlds with The Naked Jungle (1954), a well-written character study which builds to a lively climax involving billions of soldier ants.
Eleanor Parker is ideally cast as Joanna Selby, a young woman who has traded her cultured lifestyle in New Orleans for a more challenging existence on a South American plantation buried in the jungle. She makes this sacrifice willingly for her new husband Christopher Leiningen—a man she has never met.
Her first encounter with Leiningen (Charlton Heston) does not go well. She greets him in her bedroom, looking quite fetching in a lacy nightgown. But Leiningen, his clothes soiled and dripping with sweat, coldly replies: “You’re not dressed, madam. I should come back at another time.” This unexpectedly frigid greeting sets the tone for Leiningen’s brusque attitude toward his young bride.
Clearly, he is attracted to Joanna physically, for he watches her undress in silhouette and breaks down the door to her bedroom in a drunken state. But Leiningen is, as Joanna observes, afraid of her. She is more beautiful, more intelligent, and more courageous than he ever expected.
Leiningen eventually realizes the cause of his own behavior and decides that the best course for the newlyweds is a quick divorce. However, as he escorts Joanna to the river, he learns of a column of soldier ants approaching his plantation—thus setting the stage for a memorable, and surprising, climax.
It’s easy to remember The Naked Jungle for the exciting ant attack, although it’s not quite as thrilling as its build-up (the local commissioner notes that the ant column is “twenty miles long and two wide, forty miles of agonizing death—you can’t stop it”). However, when placed in context of the entire film, the ant attack constitutes a subplot which serves the purpose of bringing Leiningen and Joanna together. In that sense, The Naked Jungle is no more about ants than The Birds was about birds. In both films, an “attack by nature” was used to resolve a conflict between two characters.
The Yordan-MacDougall screenplay sparkles with sharp dialogue and intriguing plot ambiguities. When Leiningen reels off his rigid daily schedule, Joanna (still wearing her enticing nightgown) quips: “What time is bedtime?” Later, Leiningen tells Joanna how he came to the jungle at the age of 19 and had not “been with a woman” for the past fifteen years. Judging from his awkward behavior around Joanna, one has to wonder if Leiningen had ever been with a woman. He could easily be a 34-year-old frustrated virgin male.
The Naked Jungle has its faults, to be sure. Leiningen’s transformation from rude host to caring companion is a bit too rushed. The rear-screen projection, always a problem in color films, and the stagy sets constantly remind the viewer of the artificiality of the setting. (The poor rear-screen is a surprise since the cinematographer was the famed Ernest Laszlo.) Overall, though, The Naked Jungle is a well-written, well-played character study with an unexpected turn of events in the final stretch.
Rick29 is a film reference book author and a regular contributor at the Classic Film & TV CafĂ© . He’s a big fan of MovieFanFare, too, of course!

Six Pix: Zeppelins

Six Pix presents a sextet of movie posters representing a particular actor/director/genre. You pick the one you feel is visually the most artistic or best sums up the film.
A collection of great zeppelin posters not featuring Jimmy Page or Robert Plant:http://goodmovie.pw/watch/play.php?movie=0344777Included are: The Lost Zeppelin (1929); Hell’s Angels (1930); Dirigible (1931); Zeppelin (1971); The Hindenburg (1975); and Black Sunday (1977). In this installment we’re bypassing planes, trains and automobiles in favor of movies featuring airships. Each of the posters presented here is an action-packed affair. And though only one of these is about the Hindenburg disaster, none of the dirigibles here fare that well. The Lost Zeppelin and Dirigible are about ill-fated journeys. Hell’s Angels and Zeppelin focus on World War I, while The Hindenburg takes place shortly before World War II. Black Sunday is the lone feature about a modern-day blimp. Though they’re all visually pleasing, there’s something about that gigantic blimp looming over the Super Bowl stadium that strikes a nerve.
Which one do you think is the winner? Should I have included something else? Tell me about it below!

Police Story (1985): Jackie Chan’s Favorite

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Guest blogger Shawn McKenna writes:
“As far as action is concerned, Police Story is my favorite movie I’ve ever made…” – Jackie Chan, from I Am Jackie Chan (1998 with Jeff Yang)
French film-maker Jean-Luc Godard once said that the best criticism a director can make of one film is to make another. Jackie Chan was so dissatisfied with his experience on the cop drama The Protector, his second staring lead in an American film after Battle Creek Brawl, that he decided to make his own police story under his underused vanity label Golden Ways Films Ltd.
In Hong Kong, he would have much more control over the script, stunt coordination and direction (he made sure he would direct this film) that if he was going to flounder it would be on his terms. The result of his efforts is one of my favorite action films as well as Jackie’s personal favorite amongst his modern fare. I consider this a classic among action cinema and I hope I can persuade you to see this, if you have not already, like I attempted to with my previous essay on Yojimbo.
Chan is Chan Ka-kui, a model Hong Kong cop who gets involved in a police procedural code-named Operation Boar Hunt to take down a triad led by Chu Tu (prolific director/actor Chor Yuen). This operation begins in a shanty town specifically built for the film. The detail is extraordinary in the design and like everything created for an action film it is short-lived. In one of the most awesome car chases I have ever witnessed on screen (for me up there with Bullitt and The Blues Brothers mall scene) Chu Tu after being cornered by the police decide to drive through the hovels instead of being captured and Chan decides to chase after. The juxtaposition of having the camera in the vehicle and long shots in which stuntmen are scurrying to avoid being hit (several stuntmen were injured in this scene) are sagacious in displaying the maelstrom of destruction.
That, and it is just pretty damn cool.
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Most films would have given a respite after that tumultuous scene of car and house derby but as soon as Chan finishes the car chase he goes into foot mode while running after a double-decker bus that Chu Tu and a few of his cronies hijacked.
In several of these scenes as he catches up to the bus he is literally hanging by an umbrella as he holds unto the outside of the bus trying to climb his way in while fighting people who do not want him aboard as well as dodging traffic as the bus speeds along. Two of the stuntmen got hurt at the end of this scene where Ka Kui forces the bus to stop and as they flew out of the top windows they were supposed to land on top of the car that was stopped in the middle of the road but the backward momentum of the brakes as the bus rocked backward after stopping made them undershoot the stunt and land on the road.
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Police Story has a stronger storyline than most Chan movies to connect the action scenes. After the arrest of Chu Tu, Inspector Li sets up his secretary Selina Fong (Brigitte Lin Ching-Hsia) by letting her go free of all charges to try to pit her against her boss. Ka Kui is assigned to protect her (several scenes of this scenario were cut out of the film). This, of course, will interfere and cause problems with his girlfriend May (Maggie Cheung Man-yuk, whose relationship with Jackie is underplayed though that would change in the sequel). Chan tries to trick Selina into trusting him by pretending to save the day when Mars attacks Selina in her apartment. What ultimately happens because of this is predictable as well as the cop working for the triad but these are mere trifles.
The comedy is underrated in this film. There is a great sequence in which Jackie is assigned to the Sha Tau Kok Police Station, a rural area in the north eastern corner of Hong Kong, after he completely messes up the prosecution of Chu Tu. He deftly tries to answer several phones and juggle several conversations at the same time while not being really successful in solving any of them.
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Like Project A, his influence by silent film comedians is shown in how he performs this skit with physical perfection. This scene is so sublime I cannot fathom why this was missing in older American prints. I also enjoyed a nice little scene where Jackie does this beautiful car-slide stunt by doing the ultimate parallel parking literary by sliding the car parallel into a spot barely bigger than the car.
For many action fans the highlight of this film is the final sequence nicknamed “Glass Story” by the stuntmen. It takes place in a mall where Jackie has cornered Chu Tu and his cronies. It is 10 minutes of superlative martial arts, stunts and action. The highlights include great fights by Jackie with clothes racks, Brigitte Lin doing her own fighting, Chan doing a great jump into moving stairs, lots and lots of broken glass and the famous multi-story slide down a pole.
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Jackie severely burnt his hands on his slide down, partially attributed to the wrong voltage being set on the lights attached to it and it is also mentioned on several web sites and his own autobiography that he injured his spine and hip on that drop. This is a bit doubtful (though I have had arguments on this point) because on a camera with an alternate angle from the floor shown in certain deleted footage shows him bouncing up after the fall and slugging a stuntman and according to Fung Hak-on hurting him. If you have ever had a back injury (I have several times) you usually do not do get up after it happens or beat up your stuntmen.
This movie not only influenced the Hong Kong action picture and spawned several sequels, it would also influence American action pictures. Sylvester Stallone would use the bus scene in Tango and Cash; the shanty chase popped up in Michael Bay’s Bad Boys II; and several early scenes were copied in Rapid Fire. Brett Ratner took so much from this film in making Rush Hour (self-admitted in Ratner’s commentary onRush Hour as well as Dragon Dynasty’s Police Story DVD) and countless other action choreographers and directors would be directly or indirectly affected by this work. This movie was created because of the visionary ideas of Jackie Chan and also because of the exhaustive effort of Sing Ga Ban – Jackie Chan’s Stuntman Association and their every increasing attempts to outdo the rival stuntman association led by Sammo Hung. Their backbreaking accomplishments helped make this a hit (26 million HK dollars and win the Best Film for the Hong Kong Film Awards) and became a favorite of action auteur directors everywhere.
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DVD Notes:
I was so happy to get a R1 version of this film when Dragon Dynasty put out the DVD in 2006. (This version, pictured at left, is currently unavailable. Ed.) The quality of the picture could be better (Police Story 2 from Dragon Dynasty has a much better print) but overall I am satisfied with it. The commentary with Hong Kong action movie expert Bey Logan and director Brett Ratner (Rush Hour) was decent with Logan pointing out small tidbits of information like how Sammo Hung asked Bill Tung for horse advice during shooting, pointing out the cameo by Clarence Ford (Naked Killer) as the photographer and also pointing out who every person acting was though sometimes this got annoying. I did wish he would have put more info about one of my favorite actors Fung Hak-on who helped with the stunt choreography and acted as Danny Chu. Ratner would talk about how this movie influenced him and occasionally get his facts wrong (like confuse Brigitte Lin with Maggie Cheung) and was completely ignorant about many Jackie Chan films (Winners and Sinners and every other early Jackie Chan film except Drunken Master) but was still a decent listen.
There are deleted scenes, alternate opening and ending, A Tribute to Jackie Chan, A conversation with Jackie Chan, Stunts Unlimited: A retrospective with members of the celebrated Jackie Chan stunt team and trailers. It has Cantonese and English soundtracks though Jackie was not yet using his voice on the Cantonese dubbing.
This movie has also been released by Shout! on BD and DVD with Police Story 2. But they lack the plethora of extras that the Dragon Dynasty releases have.
Sources:
Book: I Am Jackie Chan: My Life in Action (1998) with Jeff Yang.
Book: Planet Hong Kong (Second Edition: 2011) by David Bordwell
Book: The Hong Kong Filmography, 1977-1999 (2009) by John Charles
Reviews at HKMDB and IMDB.
Unholy Dedication: A History of Jackie Chan’s “Police Story” Franchise (June 4, 2015 by Simon Abrams)
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Shawn McKenna (aka masterofoneinchpunch in our Disqus forums) is obsessed with all things associated with movies and is an administrator of The Criterion Forums. When not making money as a software engineer, talking about movies at the gym or worried that his DVD/BD pile will one day collapse and suffocate him, he is actually watching movies.

Star Wars The Force Awakens 5 minute SUPER DUPER cut

Star Wars The Force Awakens 5 minute SUPER DUPER cut


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Hey guys, did you hear that even MORE there were a few more TV spots released for The Force Awakens with even more brand new footage? Wouldn’t it be cool if there was some way to enjoy everything that was released, so far, without having to click through a bunch of videos? You are in luck because the guys over at ‘Science vs Cinema’ put together this lovely Super Duper cut of all the footage released so far clocking in at a massive full 5 Minutes!
Ok, so this was released a while back and surely an Ultra Super Duper trailer is incoming any moment thanks to new footage released in the last 48hrs but I just found it and thinks it’s a near look into more of what to expect of this film. It may be a bit more than some may want to know about the film prior to parking in a theater but for those of you like me this is exactly what I needed to pack on some excitement.
Thank you and you’re welcome.

Who will be James Bond after Spectre?


Who will be James Bond after Spectre?


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With Spectre pulling in a decent haul in the box office it seems like a sure thing that the James Bond franchise will continue to produce additional films in the series until the well runs dry. With that said, it’s no secret that actor Daniel Craig has expressed little interest in reprising his role and continuing to star in future films and fans have been debating who should take on the mantle in future installments. There are a ton of fantastic actors available to choose from and we decided to share our thoughts on who we think should be considered for the role:

Tom Hardy

Tom_HardyTom is an interesting pick in that he has the stamina, the charisma, and the looks to play a very interesting hybrid of old school James Bond that Sean Connery and company made famous and the more rugged approach of Daniel Craig. He’s a proven action star that’s still, somehow, somewhat underrated enough to surprise audiences with a fantastic performance. He’s one of our favorites, but not the only one…


Idris Elba

Idris-Elba-as-James-BondIdris Elba is a name who’s been discussed for the role of James Bond for years now. He’s said in interviews that he would love to take on the role and also exhibits a lot of the traits and charisma desired for the role. The shift in ethnicity of the character has been a hot topic on the internet for a long time and seems willing to accept the challenge. He’s one of our favorite’s for the role but there’s potential concern for studios to change JB’s ethnicity in fear that it would affect audience interest.

Michael Fassbender

michael-fassbender1Michael Fassbender is a fantastic actor and a role like this seems well within his range but one has to argue if the role is even a little beneath him. He’s certainly capable of sleep walking through this sort of film and still putting on a better performance than 90% of the other actors in Hollywood. Would he be interested. Would audiences mind if a German actor assumed the role of a character that has traditionally been portrayed as British? Would Britain mind, as JB is clearly one of their cinematographic pride and joys.

Clive Owen

clive_owenClive Owen has the rugged approach to action films that would make him a clear contender for the role of James Bond. My first recollection of Owen in film was in The Bourne Identity way back in 2003 where he portrayed a stoic product of Treadstone hunting down Damon’s Jason Bourne. The idea of him taking on this sort of role and bringing the suave charm to the character seems like a natural fit… but are the odds in his favor?

Jason Statham

jason-statham-actorJason Statham, like a lot of the people on this list, exhibits the necessary characteristics to portray what audiences find familiar in James Bond in a lot of his movies. If anything sets him apart from the other actors is that he can also be viewed as a bit more extreme than the others. His filmography is littered with films in which he portrays a manic, almost insane, version of a super spy with a bit more graphic violence than we are accustomed to in a typical Bond movie. Would Bond be willing to adapt to Statham’s edge? Would Statham be willing to adapt to Bond?

Damian Lewis

damian_lewisDamian Lewis is a high regarded British actor that has a lot of support on the internet to portray James Bond. He’s by far the popular choice for new actor to take on the role but does he have what’s necessary to take over the now booming bond franchise?




Daniel Craig

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What should be the obvious choice would be for studios to give Craig a raise and let him continue the upward momentum in box office figures that began when he took over the role. It’s been reported that Craig has never asked for a raise while making Bond movies and considering the records the franchise has recently broken it may be in the studios’ interest to secure their bond for a few more movies.

Mixed reviews aside, Spectre has passed the half-billion mark in box office receipts. It’s safe to say that you can expect to see a new franchise installment sooner rather than later. Vegas has updated the official odds on which actor will take the lead as the new Bond. This [online betting site] lists Damian Lewis as the favorite, with Tom Hardy and Idris Elba trailing close behind.”

Everything wrong with the Captain America: Civil War trailer

Everything wrong with the Captain America: Civil War trailer

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I love when I stumble across videos like this. This video takes nitpicking to new heights and decided to critique the hell out of the recently released Captain America trailer. The cool thing is that it’s all in fun and is pretty tongue in cheek while poking fun at what is undoubtedly a highly anticipated movie.

Observations:

  • They hit the nail on the head about Bucky and his moodyness
  • Seriously, why doesn’t Wanda just mind whammy the hell out of everyone?!
  • Why didn’t I notice the Vision missing sooner? I guess he’s not a big deal after all…
[GeekTyrant]

I can’t stand this new trailer for Exposed starring Keanu Reeves

I can’t stand this new trailer for Exposed starring Keanu Reeves

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I like to think of myself as a general fan of Keanu Reeves and his movies but this one is definitely an exception. Exposed has generic written all over it and it’s no wonder that so many straight to VOD movies are getting the reputation of being of poor quality.
This movie seems like it was made for Nicholas Cage so that he could regurgitate another shitty movie to pay back the IRS yet somehow Nicholas Cage was already preoccupied with some other shitty movie and it got dumped on Keanu Reeves as part of his eternal punishment for his participation in the Matrix sequels. Oh, and it was made to introduce American audiences to another pretty foreign actress.
Exposed is shitting its way to theaters and VOD on January 22nd
[Lionsgate Premiere]